The 360 Guitar and Me

You might be wondering how did I ever settle in to the 360 Guitar Hero controller, especially after I started trying the "new grip"? Well, I'd say pretty good. But I don't have to say it myself because I can let the "Sandbox Hero" achievement (for getting five stars on all songs on the Easy tour) on my GamerTag speak for itself. Now I'm on to five-starring the Medium songs. "The Grip" rules, my friends!

In a somewhat funny note, I accidentally skipped a song in the second tier of easy, so I worked my through Psychobilly Freakout on Easy and went "Awhaa?" when I didn't get my achievement. So I had to go back and play this absolutely baby-simple song and I nailed every note on my first playthrough. Which is only sorta awesome, except back in my 360 Achievement categorization post my example of a "Major Goal" was the Guitar Hero II 100% achievement. At the time I wrote

You might do that through normal play, but it's more likely that you sit down and work at it for a while.

Well then. Turns out you can do it through normal play - IF you have mastered "The Grip". Later in the post I also referenced Splinter Cell: Double Agent's achievement for completing an entire level without being detected as a "Major Goal", so that will have to stand as my canonical example. I don't think it's likely to happen on anybody's first playthrough of a SC:DA level, so it's much more likely to be something you're doing deliberately. Unless there's a special SC:DA "Grip" that I know not of . . . .

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DM of the Rings

Lord of the Rings is more or less the foundation of modern D&D. The latter rose from the former, although the two are now so estranged that to reunite them would be an act of savage madness. Imagine a gaggle of modern hack-n-slash roleplayers who had somehow never been exposed to the original Tolkien mythos, and then imagine taking those players and trying to introduce them to Tolkien via a D&D campaign.

Twenty Sided ยป DM of the Rings I:The Copious Backstory

I got this from Chris Roberson, but it's super-funny! Be sure to read the text at the bottom as well. I miss the days when I had time for D&D . . . .

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The Hidden Family

Even more books! I'll admit I started reading The Jennifer Morgue today at lunch so I figured I'd better stay on track. I'm seriously contemplating modifying my book review policy. The problem is that later volumes in a series seem difficult to me. Today I'm here to talk about The Hidden Family which is book two of The Merchant Princes and nobody is going to care about The Hidden Family unless they've read The Family Trade. But if they have read the first book then they already have an opinion of the series and it's unclear that I'm providing any value. There's a very serious argument that I should just go ahead and note "Yep, it's more of the same." and then move on reviewing Vernor Vinge's Rainbow's End. On the other hand, maybe a comment thread tagged as "Spoiler", means that we could discuss the book without worrying about giving away the big secrets? There's a topic of open discussion. Is anybody actually reading these? If you are, do you find the reviews of volumes two and three worthwhile?

As usual, I won't spoil The Hidden Family, but I will assume that spoiling The Family Trade is fair game. If that bugs you then read no further.

The Hidden Family continues piling it higher and deeper on poor Miriam. One thing I will call out and praise Stross for is that it doesn't feel like an Act II. This book is a good story on it's own merits, in part because the series doesn't have a traditional trilogy structure. In some ways The Hidden Family and The Family Trade work more as a duology than I expected. While it's clear that Miriam's story has further chapters many of the story arcs are concluded at the end of this book. Miriam's relationship with the Clan is solidified and all of the not-so-subtle hints in the first book about the sixth family resolve. The seeds of new story lines are sown throughout the novel, but it closes at least as many plot lines as it opens (I'd say it closes more than it opens, but perhaps that's a debateable point.)

Overall I liked The Hidden Family more than The Family Trade, but I'm not going to claim it will change your mind wherever you fell on the first book. In the bulk this is more of the same. If you liked book one then I can easily recommend book two. I noted in my review of the first book that it seems almost rushed, like too much is crammed into the start. I think The Hidden Family benefits in comparison, and this is a large part of why I like it better. All of that frantic sketching in of the modern world can be taken as given and we know quite about about the world of the Clan and Gruinmarkt already. Miriam is still in way over her head and learning a lot but at the same time she knows a lot more than she did in book one and things unfold at a more normal pace.

I'd be curious to know how The Merchant Princes books are selling comparing to Accelerando or Glasshouse. The general wisdom is that fantasy outsells science fiction these days, but of course Accelerando got a lot of attention due to being nominated for the Hugo and winning the Locus Best SF Novel. The reason why I wonder is that while I like The Merchant Princes just fine there's nothing really compelling or unique there. It's well executed fantasy, and it is a pleasure to read but I don't really feel like it especially required Charlie Stross to write them. As opposed to Accelerando which is simply mind-blowing and I can't imagine coming from any other writer I know of. I'd be sad if the Stross' SF output is impacted by his fantasy works. I don't mean that as a strong criticism - I'll be happy to read the next book in the series, just that I don't see it as Stross' best work.

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The Anthology at the End of the Universe

More book reviews! When I started reviewing every book I read I had a big backlog of magazines (I was running at about three months behind on almost everything I read) and magazines represented the majority of my reading time. So it seemed manageable to review all my new reads. Well over time I've closed up that gap down to less than a month's backlog and thus I'm reading more books these days. After reviewing this one I have a stack of three books sitting in my "read but not reviewed pile". But onwards!

The Anthology at the End of the Universe is one of the Benbella "Smart Pop" series although I don't think I knew that when I bought it. I'm not sure though because I don't really remember buying it and it's been sitting in my book slush pile forever, along with a biography of Douglas Adams. I have a sneaking suspicion I may have bought both back when the new radio series aired on BBC. I've been curious about the Smart Pop books for a while, I've looked at the Buffy one several times as a possible present for Karin (which I've now spoiled - sorry honey!), and the Star Wars on Trial one caused a tempest in a teapot flap in SF circles with the debate about whether Star Wars is a good or bad influence on novel-form SF. So when I realized this was in the Smart Pop series I was doubly excited to read it.

OK, mister Smarty-Pants, but what is the book? It's a collection of essays about The Hitchhiker's Guide to the Galaxy - well known to my audience as a series that JP should totally read some day. Cory Doctorow writes about how Wikipedia is turning into a real life Guide, several writers obsess on the meaning of 42, Don DeBrandt makes a hilarious essay that he describes as "I intend to prove that God not only exists in Adam's universe, but identify who he is, explain what his plans are and reveal once and for all why he seems to be obsessed with fish." There are essays reflecting on what HHTTG has meant to the authors, and scholarly essays about the dramatic structure of the books. (Well. As scholarly as you can be while talking about Marvin and Arthur anyway.)

It is probably not a surprise to readers of this blog that I liked this book a lot. Much as I once told Bwana that he gives free passes to games involving zombies, I give free passes to anything Douglas Adams. In theory anyway, even I have trouble justifying Mostly Harmless (although I strongly disagree with the orthodox stance that So Long and Thanks for All the Fish is bad). But I don't think that really comes into play here. Obviously you have to like HHTTG or you'd have no business reading a book of essays about it. But what you have here is akin to the bull sessions you'd have in college where you sit around and talk about incredibly geeky stuff at length with your friends until the wee hours of the morning. Hitchhikers might very well be the most read book on my bookshelf, and since it's a universe that will sadly be no more even a backhand way of revisiting it and seeing something new is an awesome gift.

And you really do have to read the essay explaining who God really is in Adams' universe. Revelatory!

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Putting the Date in the Menu Bar

I simply wanted to view the date alongside the time in the menu bar. Unfortunately this is not an option in OS X. However, with a slight of hand, you too can easily display the date in the OS X menu bar without the need of additional applications.

How To: Display Date in OS X Menu Bar - PaulStamatiou.com

Nice. No extra application to run, just a slight hack to customizing the time display and bam, my menu clock now reads June 5, 2:34. The information I want, no extra crud. I like FuzzyClock but as far as I can tell you can't make it display the date, which I really want at a glance.

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